Silencing the Sound: Are Benue Musicians Paid to Stay Quiet?

There’s growing concern in Benue State over the troubling silence of some local musicians in the face of escalating violence, displacement, and poor governance. Many citizens are beginning to suspect that certain artists have been placed on unofficial payrolls to avoid commenting on the dire situation. This theory gained traction following the recent controversy involving Egyptian Cairo, a popular Benue entertainer, who openly mocked activist VeryDarkMan (VDM) for visiting Yelewata—a community deeply affected by herder attacks and government neglect.

Instead of supporting VDM’s efforts to draw attention to the killings in Yelewata, Cairo criticized him and bizarrely suggested that Benue people should focus on singing songs rather than confronting the harsh realities around them. His remarks were not only insensitive but also emblematic of a larger issue: the apparent disconnect between some entertainers and the people they claim to represent. In a time when voices of influence should be rallying for justice, Cairo’s response felt more like a deliberate attempt to trivialize the pain of his own community.

This isn’t an isolated incident. There’s a noticeable trend where certain musicians seem more invested in promoting party anthems and superficial content while ignoring the bloodshed and displacement happening just miles from their studios. The recent backlash over the “Naka Girls” song, which many felt was tone-deaf given the current crisis, further highlights this disconnect. It begs the question: are these artists being paid to stay silent, or have they simply chosen comfort over conscience?

Even national figures like 2Baba, Blackface, and Kiddwaya have spoken out, lending their voices to the call for justice in Benue. But despite their efforts, the momentum remains weak. International attention is scarce, and local influencers who should be amplifying the message seem more concerned with clout than change. The truth is, the efforts being made—whether at the local, national, or international level—are not enough. Benue is bleeding, and silence from those with platforms only deepens the wound.

In moments like this, music and art should serve as tools of resistance and healing. They should reflect the struggles of the people and inspire action. When artists choose to ignore that responsibility, especially in a time of crisis, they risk becoming complicit in the very oppression they should be fighting against. Benue deserves better—from its leaders, its influencers, and especially its musicians.

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